You Are My Sunshine

One of my earliest recollections of my dad was of him playing guitar and singing this song to me: You Are My Sunshine My only sunshine. You make me happy When skies are grey. You'll never know, dear, How much I love you. Please don't take my sunshine away.

I took that picture of him in his studio with his Polaroid camera when I was a teenager – circa 1968ish. He was a designer - I wrote about him in this post: Heirloom Design At Home. This is how I remember him – handsome, inquisitive, introspective and forever cool.

Someone told me at his funeral, "Nobody loves you like your father does." So true.

Dad loved art and music, and I’m sure if YouTube was around before he died, he would have loved this too:

Happy Father's Day!

Reversely Cabled (a free scarf knitting pattern)

Show and tell for my knitting readers...

Knitters know cables are a one-sided affair. One side looks marvelously complicated and the other side looks like a lumpy mess. Most cabled knitting is knitted on one side and purled on the other – with a few stitches separating the cables. Because of this patterning, projects with cables are not reversible.

A Design Challenge As someone who designed knitting patterns for a short time, I rarely take the easy knitting route. But, I do like designs that have a repetitive pattern that you can quickly get the hang of and rotely knit. I had seen a cashmere reverse cabled scarf at Barneys. I know what you're thinking … She shops at Barneys? Well, Barneys is lovely, and I have had a few shopping moments at Barneys, but I drooled over the scarf at a Barneys outlet store. I wish I had taken a picture of it.

I had it in my head that I would create a similar scarf with reverse cables. There were a few requirements for the design: no background stitches between the cables, no edge stitches, and the cables should produce an irregular wave-like panel.

After a few failed attempts, I tried cabling a K2, P2 rib. The 2 X 2 rib naturally pulls in and creates the magical wavy edge. Even more remarkable, it looks the same on both sides! I promise, this pattern is not as hard as it looks.

The Magical Reverse Cable Scarf

Materials: Yarn: Natural Gray Blue Sky Baby Alpaca Sport Weight ~ 4 skeins Needles: U.S. Size 8 needles, cable needle

Directions: CO 50 st. Row 1 Sl first st as if to Purl with yarn in front, P2, K2 across, end k1. Row 2 Sl first st as if to Knit with yarn in back, P2, K2 across, end k1. Rows 3, 5 and 7 same as Row 1 Rows 4 and 6 same as Row 2 Row 8: Sl 1st st as if to purl with yarn in front, work next 16 sts in pattern. *Put next 8 sts on holder, hold to back, work next 8 sts in pattern, work 8 sts in pattern from the cable needle*, work next 16 sts in pattern, K1 Rows 9-15: repeat rows 1-7 Row 16: Slip the first st as if to Purl. Work cable from * to *. Work next 16 sts in pattern, repeat cable * to *, K1 Work for desired length. End with row 15. Bind off in pattern.

Happy Knitting!

Heirloom Design At Home

When I was a kid, I thought we were Danish. I am going to tell you about it, but before I explain that far-fetched childhood fantasy, I’d like to talk about heirloom design. I promise to circle back to being Danish.

Bringing Heirloom Design Home

I wrote an article that supported the stance that we are replacing items too often. Our culture has made it easy to create too much stuff with short life cycles. The article explored the concept of "heirloom design." I had heard Saul Griffith at a design conference outline how he was planning to give his soon-to-be-born son a Rolex and a Mont Blanc pen. When his kid was old enough, he would tell him that these would be the only watch and pen he could use for the next 100 years. Griffith's rationale was that, if something is thoughtfully designed and beautiful, it could be passed down through the generations.

I decided to bring the concept home. I explained heirloom design to my kids and asked them to take a look around the house and tell me what they would consider heirloom and hand-me-down worthy. Here's one:

"The artwork collection handed down from Grandma - Particularly, the Bjorn Wiinblad posters. They make Grandma, you, and us smile."

You can read about the other items they chose here.

What Do You Mean We Are Not Danish?

My dad was a mid-century designer. His hand printed, silkscreen wallpaper designs were hung on all of our walls. Interspersed among the flocks and metallics were portraits of happy relatives…or so I thought. These whimsical portraits were the artwork of Bjorn Wiinblad (left). I truly believed Wiinblad was one of my kin. Gazing up at an oversized Wiinblad poster was like getting a huge, smiling hug from an adoring relative - Not the pinch-your-cheek kind, but the kind of family member you admire for her sense of colorful quirkiness.

The Wiinblad posters and pottery that decorated my home also greeted visitors at my Aunt and Uncle's house. The posters were winking at me there too - we must all be related.

Eventually, I figured out that we had no Danish relatives (not a blond among us), and the inspired Wiinblad collection was actually a mutual admiration that my mom and aunt shared. They also collected Wiinblad cards, wrapping paper, china and ash trays.

My children have come to love this “designer's designer” too. The twinkling eyes of Wiinblad's portraits exude the themes of music, art, humor, and the joy of life. We have many Wiinblads in my home. The main image (above) is from a rare detailed ceramic plate that I got (won) on eBay a few years ago. When my best friend Cathy got married, we gave her the "Blue Lady."

As my little home-research discovered, heirloom designed objects don't have to be a Rolex or Mont Blanc, or even a Wiinblad to qualify as heirloom. But, they do have to be thoughtfully designed, beautiful and well taken care of.

If heirloom design goes hand and hand with slower consumption, do you think this is another one of those "green" concepts we should teach our kids? In your home, what would you consider to be heirloom designed? What would your kids choose?

Main image: Ted Fink

Building A Sustainable Future: The Greenest Living Building and Biomimicry

As an environmental writer, I have the unique opportunity to explore a multitude of eco-related subjects. With environmental news rightfully focused on catastrophic events such as the Gulf Oil Spill, and stories about greenwashing running rampant, it may seem like there’s a fog descending upon the green world. But, I source exciting fresh information daily, I'm impressed with the level of new eco-friendly products and sustainable materials available.

As a blogger I feel that it is my duty and honor to dish out environmental news and commentary about things that have the capacity to enrich the environment and hopefully, create a more sustainable future for our kids.

I was invited last month to the Omega Institute of Holistic Studies to tour one of the most sustainable buildings in the world and listen to architects, designers and eco-visionaries discuss the inspirational process of creating the Omega Center for Sustainable Living (OCSL). The OCLS is a state-of-the-art water reclamation facility and environmental education center that brings together wastewater recycling, clean energy, green architecture and other sustainability elements that can be replicated locally and globally.

Omega spent the last four years working to achieve one of the most prestigious honors in the green world – The Living Building Challenge. To make this happen, Omega had to reach the most advanced level of sustainability in a built environment. Here we (writers and photographers) are hearing Omega's, Skip Backus talk about building the OCSL:

Three awe-inspiring things I learned at the OCSL:

1. As a high-performance designed building, the OCSL is powered by passive solar heating, a geothermal system, a photovoltaic power and includes a greenhouse and green roof, constructed wetlands and a green classroom that integrate seamlessly with the natural environment. 2. The OCSL is a teaching facility that teaches Omega participants as well as local schoolchildren how to adopt sustainable living practices in their own lives and homes. 3. From waste come life – At the core of the center is a greenhouse with a living water filtration system that uses plants, bacteria, algae, snails and fungi to recycle Omega’s wastewater (approximately 5 million gallons per year) into clean water used to restore the aquifer. To watch a video about the OCSL and learn more CLICK HERE.

While I was visiting Omega, a conference called, Design By Nature: Creative Solutions With Biomimicry, Permaculture & Sustainable Design was in full swing. This event brought together some of the nation’s foremost leaders in the fields of biomimicry, permaculture, and sustainable architecture. The main objective was to explore the creative potential of these promising green technologies for the sustainability of the planet.

Biomimicry (from bios, meaning life, and mimesis, meaning to imitate) is a fascinating emerging science that studies nature’s best ideas and then imitates these designs and processes to solve human problems.

Biomimicry can answer questions such as:

How would nature get water to the desert? How would nature heat and cool a home? How would nature create color without harmful chemicals or dyes? How would nature create non-toxic waterproof adhesive?

To find the answers to these questions and read more about how biomimicry can change our lives CLICK HERE.

As we hope to forge towards a more sustainable future, we can learn so much from "living buildings" like the OCSL at Omega, and scientific ideas such as biomimicry. They truly fill me with the promise of a bright green future.

Photo Credits: Omega Institute and Care2

Can Green Design Save The World?

Inhabitat is one of the top environmental blogs in the world. Their mission is simple, “Green Design is Good Design ~ Good Design is Green Design.” Inhabitat also believes, “Green Design Will Save The World.” I follow Inhabitat daily, and want to thank them for choosing an idea from an econesting post. Their post titled: Time Flies With the Recycled Aluminum Epigram Clock via econesting displays on Inhabitat's front page today.

Inhabitat is a top notch “green” blog that continues to provide innovative ideas, while provoking the cautionary green vs. sustainable issue. They share a frustration that I also have about considering “green design” as a new category in the field. Is “green design” separate from good design? Inhabitat doesn’t think so:

“We believe that all design should be inherently “Green”. Good design is not about color, style or trends – but instead about thoughtfully considering the user, the experience, the social context and the impact of an object on the surrounding environment. No design can be considered good design unless it at least attempts to address some of these concerns.”

I am pleased Inhabitat picked up A Clock With a Conscience (and a mother's gush), for the same reasons I chose the witty Epigram Clock. It encompasses all that is good about design: It is thoughtful and cleverly designed, with a nod towards environmental impact (the clock contains up to 70% recycled content), and it was created within the social context of giving back (a percentage of the proceeds goes directly to the International Rescue Committee, an organization that responds to the world’s worst humanitarian crises and helps people to survive and rebuild their lives). The clock also represents what all design should – form, function and style.

What do you believe constitutes good design? Are you in agreement that green design can save the world?